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What is prefab construction

What is Prefab Construction?

Introduction of Prefab House surprises everyone. Roofs and walls of the house arrived on vehicles. And the house was assembled right there on the very day.

For the first time, onlookers witnessed the making of a Prefab building. Classy, well-designed, architectural elegance, build in almost no time, at any desired location.

They were clueless. What is a Prefab, they ask. Let’s decode the latest fad in the construction world?

What is Prefab Construction?

What is prefab construction?

What is prefab construction Unlike stick and brick construction,  This systems produce the entire construction in workshops. Individual components are built differently, saving time that a traditional construction takes. Scientific and industrial methods are the backbones of the prefab construction methods.

Prefab construction is manufactured by industrial methods, handled by the specialized workforce. A group of engineers tracks the rest of the construction work at the site.

Prefab Construction method has the edge of supreme technology. In every project, experts use automated tools and machinery to build a secure living place.

Best of Quality…But how?

The process is highly planned and keeps a core focus on sustainability.

Prefab materials ensure efficiency. The enclosed process saves the construction from the atmospheric conditions.

Prefab process also saves time. Factory works complete speedy construction of the individual parts. Quick transport system helps to assemble the parts at the site immediately.

Prefab Construction is Eco-friendly

Eco-friendly Prefab Construction

In every project,  Prefab Infra applies best energy efficient solutions. The metals and materials used for construction are recyclable. In-factory construction also produces less material waste than a site-built construction.

Clean, green and everlasting engineering wonder and spectacular design components. Prefab Infra puts together your own home!

How customization are they?

Well. Like regular houses of course. If not, way better!
Owning a Prefab has a unique added advantage of easy extensibility.

Prefab mechanism stands upon the art of assembling of blocks set up with removable and semi-permanent joints .

Bottom line is that- you will be the master of your Prefab home.

Do I have a say in design?

Manufactured Home Side walls

Of course, through and through! Unlike traditional constructions, architectural appearance with prefabricated structures has actually no boundaries.

Our team of experts at Prefab Infra chalks out every, design that you will go for . They find a good balance between your choice and project’s topography, natural interior and other details.

Shape, size and configuration?  Sky’s the limit!

Also, here is our own work gallery where you can consider the excellence we’ve managed to achieve so far.

How remote can I go with

The manufacturing plant being distant from the site may look like a limitation. Boundaries for location plan of your dream house you think? Not at all!

Thanks to the modern transport system, building blocks of any shape, size and number possible to be carried at any location.We can make your home, as far as the road could go. And we mean it…

Prefab does not face the physical challenges like a traditional house. Hence-

A perfect sunrise on a hill station or  bidding the sun goodbye at the beach with afternoon tea-  Prefab takes you close to fantasy.

Prefab infra will help you to customize a design that suits your space, budget, and design.

How are the expenses?

This system lowers the cost

This system lowers the cost. Factory work plays a key role here. Less waste and better labor management plus an articulated work save the bucks. Even with all the transportation and installation charges, the prefab construction costs equal to stick-built home.

Also, the taxes, loans, insurance etc. for Prefab homes are actually no different than the same from regular homes.

Additional/ongoing charges on ?

At Prefab Infra, we take care that the project budget from the scratch. The construction starts and finishes on a fixed budget, considering your requirements. So, there is no need extra payment in  cost per square foot.

How about maintenance?

Prefab home is durable. Close monitoring during construction ensures it’s stability and durability. In result, you do not need to face those maintenance hiccups.

And if I decide to move elsewhere?

If you mean by selling it, we would say ‘Why, when you can take your home with you?!’
That’s sound absurd? Right? But, This technology makes it possible by using lightweight steel and fabric structures.

It serves two purposes. Those materials help in deconstruction. It also plays a massive role in moving over to a new base.

Sounds incredible, but true! It is really possible to convert and move your entire home to another site.

Feel free to ask any question we just missed here. Moreover, to know more, you can visit our next blog here

Sutra Construction and Designers P.Ltd

Tinkune Gairi Gaon.

Tags: prefab construction

The Tech Gear We’re Testing Right Now

Welcome to the latest installment of Staff Picks . Each week, we’ll tell you about the tech we’re currently testing — everything from cameras to headphones, 2-in-1 laptops and home appliances — as well as the grail items we wish we could buy. For last week’s selections, visit here

6 Heart-Wrenching Birth Stories That Will Make You Shed a Tear

Image Source: Facebook user Mason & Hawk
2. The twins with twin to twin transfusion syndrome
At just 25 weeks pregnant, Charmaine Winsor found out her twins were suffering from twin to twin transfusion syndrome. Despite Charmaine's fears of the effects of a premature birth, Connor and Levi were born two hours after she was admitted to the hospital for an emergency C-section. Seven days later, Connor passed away, but after a 156-day fight in the NICU, Levi was eventually able to go home.
Image Source: Charmaine Winsor
3. The baby born at 23 weeks
Sarah went into labor at 23 weeks, and the doctors gave the baby a five percent rate of survival. Sarah's baby boy was delivered via C-section, and two hours later, Sarah's husband, Bryan, and photographer Amber Fife were able to see him. Sarah and Bryan's sweet little boy lived for six-and-a-half hours, and Amber photographed his last minutes with his mom and dad holding and kissing him.
Image Source: Amber Fife Photography
4. The baby born with a fatal genetic disorder
During her pregnancy with her seventh baby, Julie found out that her little one had either
trisomy 13 or 18 — both genetic disorders with fatal diagnoses. Julie delivered baby Lily at 36 weeks, and she lived for two-and-a-half days in the NICU. She passed away peacefully — tube and wire free — in her mother's arms.
Image Source: Itsy Photography
5. The stillborn baby who was full term
Emily McClearen had had a normal pregnancy, but on one ordinary morning, she was concerned about a lack of fetal activity. She drove herself to the hospital, where they put her on a monitor. The nurse was unable to find a heartbeat. An ultrasound revealed that the umbilical cord had wrapped around the baby's neck and that she was no longer alive. She delivered Monroe Faith Stanley the next day via C-section.
Image Source: Love Song Photography
6. The mom who urged other parents to be grateful
In the days leading up to the nine-month mark of her pregnancy with her second child, Natalie Morgan knew something wasn't right. Unfortunately, her suspicions proved to be true, and her daughter, Eleanor Josephine, was
stillborn after several hours of labor. In a post to Facebook, the mom shared her pain and encouraged all other parents to be grateful for everything — including the tough moments with their kids.
Although the birth of a baby is certainly a joyous occasion, sometimes tragedy steps in and changes everything. These six families experienced heartbreak when the births of their babies didn't go as they'd hoped.
From babies stillborn to those who died shortly after being born, each story has its own touching moments and beautiful photos to go along. Scroll through to see and read them all.

hyperallergic

ANDOVER, Mass. — Founded in 2001 by art historians Shelly Bancroft and Peter Nesbett, Triple Candie is a self-described curatorial agency. The original iteration was opened as a nonprofit/alternative art space in Harlem that operated somewhat traditionally: Shows were conceived, work was shown, and there were even collaborations with commercial galleries. Bancroft and Nesbett were among the founding members of New Art Dealers Alliance before withdrawing from the organization in 2002. The list of artists who showed their work or spoke at hosted talks at Triple Candie is impressive and right in line with what you would expect, given the time period. All of this, one supposes, was noteworthy, if only for the wide scope and general excellence of the space’s programing.
Throwing Up Bunnies: The Irreverent Interlopings of Triple Candie, 2001–2016 , installation view
In 2004 and 2005, Triple Candie hosted The Anonymous Artist Project l and The Anonymous Project ll, each of which featured a (supposedly) well-known artist eschewing their recognizable style and creating new and untethered work or works. The identities of the two artists who participated remain undisclosed, and the reactions to both shows were permeated by a multilayered sense of resentment and unease. The frustrations stemmed from the fact that it seemed impossible to evaluate the work when so little information about it was available. Or, perhaps more pointedly, assessing work without an artist’s name attached to any judgment of its merits seemed to be a truly frightening prospect.
This is when Triple Candie began to abandon art-world protocols and, shortly afterward, when many in the art world would abandon Triple Candie. What followed was a series of exhibitions that, depending whom you ask, were either subversive and brilliant or irrationally misguided. On balance, mostly it was the latter.
Throwing Up Bunnies: The Irreverent Interlopings of Triple Candie, 2001–2016 , installation view
The first exhibition that raised eyebrows was David Hammons: The Unauthorized Retrospective , which consisted of photocopies and computer printouts of the artist’s work, done without his approval. Part institutional critique and part punk rock put-on, the show included more than 90 images of Hammons’ work displayed with an attention to chronology, although in some cases the work was barely legible or had been copied without regard to its actual size. There were some rumors that Hammons had collaborated with Triple Candie, and others that he was very annoyed, but the artist refused to comment publicly. The exhibition was less a survey in the accepted sense and more just an unstapled, sloppily composed zine that was pulled apart and taped to the walls of the gallery, accompanied by a catalog bound at a copy shop. Whether or not it was a conceptual subterfuge or an academic exercise, it decidedly was an attempt to undermine art-world conventions and complacency focused on authorship and replication. That the exhibition was constructed with a sincere admiration and respect for Hammons’ work only complicates things further — or explains everything. It depends on your interpretation.
Throwing Up Bunnies: The Irreverent Interlopings of Triple Candie, 2001–2016 , installation view
In 2006, Triple Candie debuted Cady Noland Approximately , a simulated exhibition of the reclusive artist’s work that was also done without any sort of authorization. For the project, Bancroft and Nesbett recruited four artists to recreate Noland’s work, two of whom chose to remain anonymous. The show garnered wide attention, and most of it wasn’t positive. Critic Jerry Saltz
called it an “aesthetic act of karaoke, identity theft, body-snatching,” before musing on the significance of Triple Candie’s approach and the curators’ handling of Noland’s work. Like many, Saltz didn’t like what they’d done, but he recognized the transgressive impulse behind the gesture.
It bears mentioning that at no point did Triple Candie set out to deceive anyone. Regarding both of these exhibitions, their cards were plainly on the table, and no sales were ever made. The checklist for the Noland show makes this explicitly clear, as it describes where the materials for the surrogate work were sourced. (There is no record of Noland’s thoughts on the project.) And as with the Hammons survey, the project was by all accounts created out of a fierce devotion to Noland’s work. To suggest, however, that that was the only thing that propelled the exhibition forward would be to ignore Bancroft and Nesbett’s natural propensity for agitation and, some would argue, for self-promotion.
Throwing Up Bunnies: The Irreverent Interlopings of Triple Candie, 2001–2016 , installation view
These moments of “fake art,” and many others that followed, have been reimagined and resituated at the Addison Gallery of American Art. The irony of a survey of Triple Candie’s “work” is almost too rich to describe. The episodes that mark the pair’s career are grouped under the perhaps unintentionally telling categorization of “Acts” — whether short for “actions” or indicating the sections of a fictional work, it is impossible to say. But removed from the opinionated throb of New York City, where reaction to both the Hammons and Noland exhibitions once radiated hotly, these replica-replica-exhibits fall flat, and the meta fog surrounding them is simply too thick to parse. That is not to suggest that the “original” work is without merit: Bancroft and Nesbett have proven themselves tactically brilliant provocateurs who have consistently challenged contemporary notions of what “art” is and is not. Sometimes they’ve pushed ahead without really knowing themselves what the answer is, and that’s not such a bad thing.

Condé Nast. Ad Choices

Somewhere between a fudgy chocolate truffle and a Tootsie Roll is the Brazilian confection known as the brigadeiro. The recipe is so dead simple it can hardly be called a recipe, and the possibilities are endless as far as decorating them goes. Traditionally, brigadeiros are found with a coating of thin, crunchy chocolate sprinkles, but you can go crazy with fun coatings here—roll the candy balls in cocoa powder, grated chocolate, toasted shredded coconut, or finely chopped nuts of all sorts.

45+ Gender-Reveal Cakes to Inspire Your Big Unveiling

It's not all about that private 20-week ultrasound anymore! More and more parents are planning
gender reveal parties to find out their baby's sex and share the excitement with family and friends through a big reveal, usually in cake form. So how is it done? Most moms and dads have their ultrasound technician write the child's sex on a slip of paper that is placed in an envelope. It's then dropped off at a bakery where a cake is baked in the appropriate color and iced to hide the news. When the parents-to-be cut into the sweet treat, they learn about their future offspring's sex.
If you need inspiration for your own gender revealing cake, check out the 45+ following adorable options, and happy cake cutting!

Pastor finds 706-carat diamond in Sierra Leone

A pastor has found one of the world's largest uncut diamonds - a 706-carat rock in Sierra Leone's eastern Kono region.
The huge diamond was extracted by Emmanuel Momoh, one of thousands who pan for the gems hoping to strike it big in the diamond-rich region.
The value of the rock has not yet been determined, but it would easily run into the tens of millions of dollars. Momoh is entitled to the lion's share of the stone's value, but he has given it to a local chief who, in turn, has handed the stone to President Ernest Bai Koroma on Momoh's behalf.
The government plans to auction it - and take a 4 percent cut.
The presidency said in a statement on Thursday that Koroma thanked the chief who acted as an intermediary for not smuggling the diamond out of the country.
People have been pannng for diamonds in gem-rich Sierra Leone since a 968.9-carat gem was found in 1930
The gem has been put in Freetown's central bank vault. It will get an official valuation under the Kimberley Process, which certifies diamonds as "conflict-free."
Diamonds fuelled a decade-long civil war that ended in 2002. Rebels forced civilians in the east to mine the stones and bought weapons with the proceeds, leading to the term "blood diamonds."
"He (Koroma) underscored the importance of selling such a diamond here as it will clearly give the owners what is due them and benefit the country as a whole," the statement said.
Where the money goes
But Freetown residents are already skeptical they will see any gain from the sale.
"Previous diamonds have not benefited the people and I wonder how this new diamond will make a difference," said Jeneba Kallon, a civil servant.
Another city resident, Mohamed Kamara, said diamonds were "more of a curse than a blessing," citing the high rate of poverty and underdevelopment where the minerals are found.